Mayor and Maggie Daley at Home

“Daley the son?” Lester snorted, “They’ll write books about him, Roger. Books.”

Not even Lester knew that the announcement of Mayor Daley’s retirement would come today. And Lester knew just about everything. The press release said “Major Cabinet Announcement.” When the Mayor spoke today, there were eight reporters in the room. Afterwards, the eyes of his security detail were wide with shock and none of them were answering the constant rings of their cell phones. This was a family decision. And only family knew.

So on this bright blue breezy afternoon in early September, a day when it seemed that the swirling winds of coming autumn simply wouldn’t stop, I skipped the afternoon coffee.and walked a couple extra blocks to Langes on Southport. Last of the old man bars in the neighborhood.

Wouldn’t hurt to get an early start, a few beers and shots with Lester. The Mayor was retiring. That was worth a drink. One way or another, that was worth a drink. Because this was big news

In Chicago, you don’t need a last name for him. He’s the Mayor. He’s been the Mayor for 21 years. No one had been Mayor for longer. Except of course his father. But not by much.

Pushing in the dirty glass door, Lester in his spot in the corner of the bar, hunched over staring into his Pabst Blue Ribbon, faded plaid hat and ancient eyes. I nodded to the bartender, held up 2 fingers, and there were two frosty PBR’s and shots of Jim Beam on the bar before I could even sit down.

“Think power Roger, before you do anything else, think power.’ Lester never bothered with hello. It was all one continuing conversation.

“But is this a good thing?”

“Pfftttt.” Lester spat on the floor. “Good thing! Which part of the airplane you looking at boy?”

“Huh?”

“I said, which part of the airplane you looking at!” He knocked back his Jim Beam and signaled for another. He knew I was buying. “You looking at the wings, the tail, the color of the seats, the size of the pilot’s chair? You ask if this is a good thing, that depends on which part of the airplane you looking at.”

“Not sure I’m following you Lester. Airplanes? You talking about the time the mayor sent the bulldozers into Meigs Field in the middle of the night? Tore up the runways and put in a park?”

“Ah, I ain’t taught you nothing, have I? No, I’m not talking about that. OK, how about this. When was the last time you saw a flower, Roger?”

“”Well, just over on Ashland I guess. On my way here. All the flowers spilling out from the planters in the middle of the boulevards . . . .it really is beautiful.”

“Who you think made sure all those flowers were planted? All those trees? Who do you think did that Roger?”

“Well yeah I know. I know the Mayor was into that stuff. But we got big problems here. We got crime. We got no jobs. Schools, taxes. A corruption tax of $300 million dollars a year! Lotta people think the Mayor is a crook! What’s up with the flower Lester!”

“Lotta people think the President is a Muslim too. Course we got all that. We got the made up problems and we got the real problems. We got an Olympic bid that didn’t work. We got a Children’s Museum that he wanted to build underground. We got it all here!”

“So why should I pay attention to the flowers?”

“You ain’t looking at the whole airplane Roger. You’re thinking like some kind of Senator or something.”

“You mean I should think positive?”

“Hell no! That’d be your worst mistake. Even worse than not seeing the flower. Of course it’s a friggin mess. Of COURSE it is. But did you listen to what he said?”

“He said it was time.”

“Then that’s your answer Roger. That’s your answer. It’s time. And when he said it was the right time for his family, did you see her smile?”

“Maggie? His wife?”

“Of course Maggie! Who do you think, the Queen of England!”

“But what does that mean, It’s time?”

“Here’s what it means Roger. It means that none of us know how much time we have. So when you start thinking about that, when you start thinking hard, when you see the whole airplane and you remember the single flower, then it’s time.”

“”I don’t know. A lot of people don’t like him!”

“So what?”

“And replacements?”

Lester interrupted. “He was a giant Roger. And all the boys lining up at the trough because they think this is easy? They think this is some sort of free ride? Start thinking about who among all of them loves this place like he does. Start thinking about who is tough enough to not be liked. It is a pretty small list.”

“So Lester? One more question. When you get right down to it, do you think he did it for her?”

“Maggie? Or Chicago?”

“I’m not sure.”

“Well then, I’ll tell you the answer Roger.

The answer is yes. He did it for her.”

—————————————————–

“it isn’t hard to love a town for it’s greater and lesser towers, it’s pleasant parks or it’s flashing ballet. Or for it’s broad and bending boulevards, where the continuous headlights follow, one dark driver after the next, one swift car after another, all night, all night and all night. But you never truly love it till you can love its alleys too. Where the bright morning faces of old familiar friends now wear the anxious midnight eyes of strangers a long way from home. A midnight bounded by the bright carnival of the boulevards and the dark girders of the El.

Where once the marshland came to flower.

Where once the deer came down to water.”

Nelson Algren

“Chicago. City on the Make”

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“I Still Might Run In Silence”

[youtube=http://www.youtube.com/watch?v=9_87xfuaHDE&fs=1&hl=en_US]

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She Would Look Different Each Time

The Lord’s mercies never come to an end, they are new every morning.
Lamentations 3:22-23

The endless wet heat that August of 1930, as if the prehistoric swampy soul of Chicago could at any moment burst up through the ground itself and the floods would take it all. A world now gone underneath a gray sickly sea.

But the waters held back. So she stepped inside the church, slid into a pew unseen and started listening. She had been to this church before. She would be here again. And if you were to see her, she would look different each time.

She would look different each time.

At the end of the service, the pastor told the congregation that if they were with him, they could come next door and say goodbye. And he then he turned his back to the church and walked out the door. The people of the church finished the hymn without the pastor, walked together out another door, down some stairs and began to talk. She followed.

Then a leader got up and began to speak. And as she listened she smiled, thinking of her father. The leader told the story. All of it. Left nothing out. A story like many stories she had heard through the eons.

The leader spoke without blame. Repeating, “I am speaking without blame” again and again like a steady ancient drum. She heard the echoes of all the wandering souls who work very, very hard. Who do the best work they can do. She heard a whole group of leaders doing every single thing they could do.

There are no stones unturned here.

She thought again of her father. How he had smiled and then had put the first scientist on earth. The scientist knew how to look at the problem from every angle. To ask others to look too. To step back and look again. To seek mediation and good counsel. Then to take a breath. Say a prayer and have faith. In this group of leaders, she saw the loving balance of what happens when science meets faith.

She saw, as she had so many times before in conversations just like this one, how her father lets us create our own fate in so very many ways. Not all ways. But so very many.

She saw how real leaders, like these people, make the decision that we put them there to make. Even when the decision isn’t easy.
Even if we all don’t like it. They make the decision. That’s what leaders do.

Then she saw how the leaders let everyone who was hurt be hurt. She saw who chose to leave the room before the conversation ended.

Finally, this time, on this visit, she spoke. On that hot August day in 1930, she made herself visible and said, “This is my first time in your church.” Looking as she looked today, it really was her first time. She continued, ” And I have to say, if this is how you handle problems, I am very impressed.”

The people of the church welcomed her. They all said,

“We’re glad you’re here.”

They didn’t just say it. Or reference it. They meant it.

Then an older voice chimed in, echoing tender mercies of the morning from across the world, a strong woman’s voice ringing of green new misty mountain Welsh villages. And this voice from church history said, “This is a broken leg. We set it. It heals. We move on.”

So the meeting ended. Someone turned to the stranger who even now looked different from when she first came in, and said “We hope you’ll be back.”

She smiled and said, “I will.”

And then the church began to sing.
—————————————–
Link to Jeff Tweedy and Mavis Staples “Wrote a Song For Everyone”
http://link.brightcove.com/services/player/bcpid1418433766?bctid=593531762001

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Jimmy Webb’s Soldiers Writing Home

Grandfather Youseef. No one knows him by any other name. He pulls his hands out of the hot soapy dishwater in the back of the Pakistani restaurant on Devon Avenue in Chicago on a hot and tired August night. He looks down from the map of Pakistan flashed by CNN on the crackling television bolted high on the wall of the kitchen. On that map runs the path of the flood. He hears, “a land mass the size of Italy now under water.” He envisions the towering noble shade tree that stood at the path leading into his village. It’s top branches now peeking out helplessly from the swirling raging waters. As he pictures the tree drowning, he dreams up the smell of bread baking in her kitchen. And he knows that she’s gone too.

So he dries his hands on his pants. Looks over at the swinging door to the dining room as the younger man, the owner he sometimes calls Nephew, plods through carrying a gray plastic bin of dirty dishes, and motions with his chin up to the television set, now flashing images of Chinese airplanes unloading food crates and American helicopters threading their way into tiny landing patches filled with people who now have nothing, surrounded by the rushing waters.

The owner stops for a moment, shrugs his shoulders. Grandfather Youseef stares hard at him and the owner answers back by shaking his head yes.

As the owner places the grey dish bin between the sink and the dishwashing machine and plunges his own hands into the soapy water, Grandfather Youseef shuffles head down, to the grocery cart that holds his life and pulls it out behind him through the back door of the restaurant into the wet, warm alley and then out to Western Avenue where he turns north and shuffles towards the nearest spot of open land.

At the Honda Dealership he crosses at the light, walking into Warren Park against the throngs of sweaty, shouting children and weary warm streams of adults crawling through the heat back home. As Warren Park empties and drains its human sea, Grandfather Youseef walks to the middle of an open field of grass. Then, as streetlights become the only lights he stops and pulls a scrunched up lightweight tarp from his grocery cart. He grabs a handful of what looks to be sticks, and with a sudden burst of swift and sure movement, he fashions up a tent.

His first smile of the evening at how quick he made that tent appear. If she were here right now. If they were 21 again. If she would have watched him strong and sure make that tent rise fast as if they were in their prime right now, oh how she would have laughed the music of rainbows, then told him. “That was nice, but next time watch me make the tent rise faster. Stand aside and watch a woman work!”

All three walls of the blue tent standing, he crawls inside to a deeper darkness. Like he is crawling into time. Holding close the three battered books from the bottom of the cart. His Koran, Tao Te Ching and Christian Bible. He hugs them all to his chest in the darkness of the tent.

The thought that comes then is a Christian verse from the book of Isaiah; there is no need to open the book as knows the verse by heart.

“I, the Lord, am the vineyard’s keeper; every moment I water it.
I guard it night and day so that no one can harm it.”

He speaks out loud to the empty tent walls, “ Isaiah 27. Verse 3.”

As he speaks to the walls he pictures her again. Not at 21, but at 16. Hiding behind a tree watching while he and his friend tossed a red rubber ball back and forth, scuffling up the dust of the village road. Peeking out with a quiet smile every time it was his turn to throw. Picturing the red ball against the blue sky of home. All of it now under water.

Then from the death of the water, his mind moves north from Pakistan.

A thousand miles north. Into the winds of blazing fire sweeping across Russia. Miles and miles and miles of fire making forests burn and blanketing Moscow with smoke.

Once, at 21, they had plans to leave their village and perhaps try Moscow. But now their village was under water and the forests around Moscow were burning. Moscow now just another place that they would never see.

From those massive raging fires just about to hit the remnants of Chernobyl and trigger the release of all those buried gases, he pictured another fire, this one tiny.

On a beach, way back then just after the long journey to America. She was here. Just a quick visit to America. A quick visit he hoped would last forever. For awhile she was here. And there was this one night with another fire.

This fire of gentle, glowing embers on the sand, looking out into the gulf stream waves from the summer beaches just outside of Gulfport Mississippi. Way back then there were fires that could simply warm. Joyful rain that could simply soothe. Once she was here. In America. With him.

When she was here, no one was alone.

On that beach the Gulf winds rocked a wave whispering a rhythm that just they knew.

Now those very same waves and winds brought in swirling plumes of oil. Slithering under the waves and not going anywhere, ready to kill.

In fear this time, he said the verse from Isaiah out loud.

“I, the Lord, am the vineyard’s keeper; every moment I water it.
I guard it night and day so that no one can harm it.”

A rumble of a Chicago police car in the distance. The spotlight on the tent. The rookie on the passenger side opens the door, but the old cop driving shakes his head no and says, “That’s the Grandfather. Let him be. We got to find the kid.”

Grandfather Youseef thinks through the verse a third time,

I, the Lord, am the vineyard’s keeper; every moment I water it. I guard
it night and day so that no one can harm it.”

And then he smiles in understanding. Because he finally sees the War. He finally makes the connection.

The oil, the fires and the floods. All of them connected. It is all one war. This rage against the planet. The larger home we all share. He shakes his head in disbelief at the phrase “Act of God” Because the oil and the floods and the fires, these are NOT acts of God.

From the settled evening stillness of Warren Park, his muffled old man shout from the inside of his tent, “It is all one war. We are choking the life from the planet. That is the war!”

As he shouts he doesn’t even know the half of it. He does not know that a thousand miles north at the top of the world, a chunk of ice the size of Rhode Island has just that moment broken loose completely and began to float south.

For a moment he is sorry for those who really don’t know how to tell the difference between themselves and God. He wonders what it will take for them to see their personal connection to the war against the land.

And immediately he knows. It will take a story. Because the story is what lasts. A story is the only thing more powerful then the forces that join to rage against the planet.

He looks around at the closed in walls of his tent and the walls tell him which story.

The walls answer. The walls speak the only story that’s about all of us sons and daughters of Abraham and all the other prophets of the East.

So just like Father Abraham, in the very same story told in the Koran, the Bible and of course the Torah, Grandfather Youseef raises the walls of his tent. He leaves the walls open on this tiny little patch of deserted city. He stands beneath his tent, now open to all the summer winds. He does the hardest thing there is to do, he does what’s been lost to all the sons and daughters of Abraham.

He opens his tent to the stranger. He simply opens his doors.

Without one shred of a clue who will arrive. He gets ready to welcome a stranger.

He gets ready to welcome “the Other,” the one who is different from him.

He says to himself:

Because in this war, if I could just do what Father Abraham did. The most powerful story I know. Maybe she would hear. And if she would hear, then maybe a stranger could hear too. Showing her will help me show the world.

In opening my door to a stranger, I am connecting to all.

If she heard me write this. Like I too was a soldier writing home. Then maybe I too would have left something behind.

If I could just do that, maybe it would be like any soldier writing home from the wars, home to where she stood hiding behind that big tree on the path that led into the village. Just a soldier, being every soldier, writing home from the one giant and most wicked war, the war against the planet.

Writing home to say to her.

“It wasn’t God that did this to the earth. It wasn’t God, it was us.

.

If the story is what lasts, then the soldier writing home will make the story stronger.

If every soldier writes home then everyone will hear. It’s all one big war against the planet.

Grandfather Youseef looked out into the darkness, searching for the stranger, but all he saw was a tiny little black-eyed boy of seven drinking a bubble tea.

“Why are you here?” he asked the boy. “Is it not too late for you?”

The boy shrugged his shoulders, “I don’t know. I can’t find my Daddy.”

“Where do you live?”

“Granville and Western. Do you know where that is Grandfather?”

“Yes my son. Come, I will walk you home.” Grandfather Youseef then took down his tent. He had been in America for most of a life time now. But he had also never left that dusty village road and that tree she was hiding right behind.

Thinking back, he had always been a soldier writing home. And he wondered how many of his letters she had heard. How many dispatches from the front lines of the war.

He wondered if she’d hear this story. The one where he raised the walls of his tent and welcomed the little black-eyed boy.

Perhaps some day he would put his soldiers letters home from the war to music.

Just like Jimmy Webb did here. A song that must be listened to with brand new ears to know it was a letter from a soldier home. A letter just like his.

You could listen to a song a million times and never hear it. Then you hear the composer sing it. Punctuated by a story of what the song is really about. And it’s a whole new song.

And this song by Jimmy Webb?

Best letter home Grandfather Youseef had ever heard.

He remembered the line, “She was 21, when I left Galveston.” And as he remembered that line he knew that none of the geography mattered. A letter home from the war could be from anywhere.

It was all the same war.

And she is always standing, looking out to sea.

So as the war went on, the old man told himself that he would just keep writing letters home. Trying to be like Jimmy Webb. Because that’s all he knew how to do. The old man whistled a few bars of the Jimmy Webb song.

Then he looked down at the lost boy who had appeared at the door of his tent and offered him bubble tea, reached for his hand, and said,

“Let’s go young one, I’ll help you find your father.”

[youtube=http://www.youtube.com/watch?v=dfYJKpLX1xw&fs=1&hl=en_US]

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If I Only Had A Brain, A Heart and Courage

On this 71st Birthday of the movie “The Wizard of Oz.” Something very strange just happened.

A molten steel force of heat slaps the face of a simmering city of Chicago. So three lonely souls spotting separate shady benches in Oz Park, a respite of green on the north side of the city, all take their respective seats, let out 3 sighs of relief and think at the exact same time, “I will sit for a moment. Just to take a breath.”

The first, a non-descript man of indeterminate age, you would pass him and not look twice, takes out a shopping list. Studies it. And wonders what will happen when the money is gone and nothing on this list can be paid for.

The second, a slender blond woman with long legs and big green eyes that are always asking questions, takes out her I-Phone, checks her email, sees there is nothing, knows that he is gone, and then wonders how long before the lay offs come and she’s gone too.

The third, a young man with a moustache, has to be an actor on his way to an audition because they simply don’t wear suits like that anymore. Not since oh, maybe 1900 or so. If anyone was watching, which they aren’t, they’d see that his bench has now vanished. He’s sitting on a chair. On the table in front of him, a typewriter! Right there! In Oz Park! But of course no one is watching him.

The man, L. Frank Baum–he goes by Frank– stops typing for a moment. Looks off into the distance.

Wonders how the scarecrow would make it in all this heat. Knows that it will get worse before it gets better. Way worse.

But then he thinks, what if that scarecrow could sing?

[youtube=http://www.youtube.com/watch?v=wOKK8mAkiUI]

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Simone deBeavior, Studs Terkel and Nelson Algren

She arrived in Chicago on a slushy cold February day in 1947. A friend had told her to look up a writer named Algren. And in the tour of the underbelly, mean streets, dive bars in the Polish neighborhood of the city, and the walk back through the bitter wind to his tiny warm apartment on Wabansia Street where the steam radiators clanked and the hot water took a minute or two to get going; they fell in love.

Rooted in Paris, as deeply as Algren was rooted in Chicago, their love lived off transatlantic letters, no emails, texts or tweets, and the stolen days and weeks of vacation times together over almost 20 years. The “feminist,” such a grossly dismissive label for Simone deBeauvoir, a person who it could be argued, did as much as any human being for changing the way the world viewed ½ its population; was buried with Nelson Algren’s ring on her finger.

But, like Chicago was home to Algren, Paris was home to deBeauvoir.

Her home was also with “The Philosopher” Jean Paul Sartre.

I remember once slogging through Sartre’s “Being and Nothingness”—a book the size of about 5 phone books—and asking my philosophy professor, “So, what all this says is we’re all a bunch of little red rubber balls that spend our lives bouncing off each other, right?” (College students get temporary passes on being dismissive) And my professor’s answer was, “Well, there’s a bunch of other stuff in there too but, yeah that’s the gist of it.” Pouring out a philosophical vein of gold that encompassed a philosophy and a literary canon, Paris was home to Sartre. Home to Sartre was also deBeauvoir.

Sartre and deBeauvoir called what was between them, “open.”

Algren’s letters to deBeauvoir have never been made public. Her letters were published. Collected in “A Transatlantic Love Affair. Letters to Nelson Algren.”

In this collection of over 300 letters, this woman, a giant on the stage of intellectual history writes them a home together.” DeBeauvoir writes;

“I should like to have you here, in the little garden in front of the blue and yellow inn. I see you sitting near me, smiling to me. How much I love this smile! Did you think, two weeks ago, you should so nicely smile in a French little garden, in a French loving heart? Here you are my beloved one, smiling to me and loving me while the cuckoo is singing nearby. And I smile and love you in the French garden and in Chicago too; I am in our Chicago home as well as you are in France with me. We have not parted and we’ll never part. I am your wife forever.”

Sartre and deBeauvoir stayed rooted, stayed at home in Paris, their whole lives.

Algren, the writer, did not. His relationship with Chicago was complex. And in 1975 Algren left Chicago forever and moved to Paterson New Jersey. He died on Long Island.

Why did Algren leave his home? What’s the real reason that “the writer” came to such a different end than the “philosopher and the feminist?”

The answer is on the privately shot video below where you see another genius, Studs Terkel, going to work. There is a lot of laughing, joking around, Algren is a story teller and that comes through.

But when you watch Terkel, you see that he takes the art of listening to almost dizzying heights. You see no notes in this “interview.” You see the timing of the questions as if it were all being choreographed by some mystical Swiss Watch. The two were life long friends. And that comes through here.

You see Studs make it look easy. This is what Studs did. Whether it was in the living room of a friends house, like here, walking down a street and stopping a stranger, or for a book. This is what he did. He made it look easy.

So finally, at the end of this conversation that is, when you consider what is revealed from a guy who really doesn’t like to reveal much, a remarkably short conversation, you see and you hear Algren’s truth.

You see him come clean about where one can find his books. In the libraries of Tokyo. But not in Chicago.

Studs Terkel giving a master’s class.

On how to take care of a writer.

On what happens when we don’t.

[youtube=http://www.youtube.com/watch?v=C_WzEma1t1U&hl=en_US&fs=1]

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Dialogue

[youtube=http://www.youtube.com/watch?v=gje_0OMj4h4&hl=en_US&fs=1]

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President Obama When the Cameras Stop Rolling

Excerpt from:
“FINDING WORK WHEN THERE ARE NO JOBS”
From Part Two: Telling Your Story
Chapter 4

INTRODUCTION

Do you act differently when no one is watching? That’s a pretty tough question to answer honestly. How would you know?

But what if you could know? Think of the self-awareness that would occur if you knew how others saw you. And then how you could use that self-awareness to authentically tell your story in a way that could connect you to finding work.

In this story, the President of the United States—before he took office– is “off stage.” No cameras or speeches to make. The narrator is standing on the other side of a soccer field.

As you join the kids’ soccer game being watched by both the President and the narrator, ask yourself: “What impression do I leave when the cameras stop rolling?”

The Questions

•If someone watched me from a distance, how would they describe me?
•Is the description the one I’d want?
•Would refining the impression I make help me tell my story?
•How could improving my level of self-awareness help my work search?

———————————————-

LEAVING IMPRESSIONS. President Obama When the Cameras Stop Rolling.

Malia Obama probably wasn’t sure if her Dad would make it home from work to watch her soccer game this past Friday night.

He’s been pretty busy lately.

But her Mom and her little sister would be there.

The flow of the kids moving the ball down the soccer field, under the lights of a chilly autumn night. The families chatting on the sidelines. The starlight glow of downtown Chicago rising up from the north. Malia Obama at midfield shouts “Mom!” And the smile, grace, and presence of the woman whose eyes never once leave her daughter—no matter who else she speaks to, waves back and sends a radiant smile.

In that one wave and smile, you see hope come alive before your very eyes.

Then just a few minutes after eight, something like a shift in earth’s gravity occurs. To the casual observer, nothing in this scene has changed. That pull of the earth’s power must have been imagined.
The true city dweller will feel it first, before they even see it. Blink your eyes and the men appear.

Ringing the shadows of this soccer field are people with guns. Serious people with guns. Like oak trees that move. The phrase, “Not on my watch” flashes through your head.

You have to look hard to make sure they are even there. You never really see a gun. You’re not even sure they are moving. But when you blink your eyes, somehow their positions have changed. Something about the way they just appear calms your breathing.

Instinctively you know. These are the good guys.

With that feeling of true safety pressed firmly in your very soul; you can remember the real secret at the heart of the city: we of the city are just a million small town kid’s soccer game scenes all strung together. So the kids laugh and kick the soccer ball.

Then some skinny guy in a blue baseball cap walks out of the gym next door.

Hands in his pocket, face down, by himself. He walks over to Malia’s Mom, who has 3 conversations going on simultaneously with folks on the sidelines.

The quiet guy in the blue cap puts his arm around Malia’s Mom. Shakes hands with a couple of the people. Talks with Malia’s Mom for a minute or two.

Just then a small miracle occurs. The quiet guy in the blue cap who nobody in the crowd of really paid all that much attention to; scrunches down so he is face to face with Malia’s little sister Sasha.

She lifts up the brim on his cap.

And then, standing in shadows behind Sasha, you see what she’s seeing up close. You see that smile. That smile that resounds with the very power and the glory of the city lights behind it. That smile now almost ready to take its place in American history.

You can’t hear, and are happy not to hear, what he’s saying to his youngest daughter. But from your distance you do hear her giggle.

The father takes the daughter’s hand. The younger daughter. The one who is not in the game. The one was destined to not get a lot of attention tonight.

They move back deeper into the shadows, behind the sideline crowd. Still watched by that quiet show of force here to keep them absolutely safe.

Then the miracle: they have a foot race.

While the soccer game is still going on. Just the two of them. Sasha and her Dad take off together, both running at full speed, as fast and then faster than either of them could ever imagine. Sasha laughing, and laughing at the finish line. Her Dad swoops down and picks her up.

Then that smile. This time only for his daughter. It was just for her.
His youngest daughter’s giggle. It’s the music of a promise to make sure that everyone’s included.

And this past Friday night in Chicago: Malia Obama’s team won the game.

CONNECTING TO ACTION

•Why is the awareness of how others see you so important in work search?
•Imagine watching yourself from a distance. Would your actions match your words?
•In the story, there was no dialogue. Yet there were at least half a dozen messages sent by the President just by what was seen from afar. If someone were to watch you from afar, what would you want your messages to be?
•How will you make sure they are in your story?

Notes on Connecting to Action

Try this experiment. Pick someone who will give you an honest opinion. Ask how you would come across in the first 10 seconds of a conversation on searching for work.

Would your authenticity come through in those 10 seconds? Would you come across as authentic no matter who was watching you?

What is it you have to do to make sure that your authenticity comes through when you are telling your story?

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A Prayer in Song For a Soldiers’ Family

O come, let us sing to the Lord; let us make a joyful noise to the rock
of our salvation!
Psalm 95:1

Nothing to eat or drink after midnight tonight because the surgery is tomorrow. That means no milk. And milk is the brave and strong little girl’s favorite.

So sing out in prayer that she will have some cold, cold milk and will beam out a smile that her Dad will see when he talks to her on Skype from Afghanistan.

Pray she can tell him just how excited she is for that first cold glass of milk after the surgery.

Sing prayers for the other four kids and the friends in whose homes they are waiting while Mom and the little girl go to the hospital.

Sing prayers for the skilled, trained, and guided by God hands, heart and mind of the surgeon and the whole medical team.

Sing prayers loud for the Mom to keep being so strong.

Sing that the whole family will hear all the prayers for them, prayers so strong that their songs can be heard across all space and time.

Prayers so strong that their song spans the world.

Joyful prayers that hard times come again no more.

[youtube=http://www.youtube.com/watch?v=pyV60kTvEFE&hl=en_US&fs=1]

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MUSICAL MEMORIES. “The Newlywed’s Ode To Joy”

Excerpt from:
“FINDING WORK WHEN THERE ARE NO JOBS”
From Part Three: Adding Music
Chapter 7

INTRODUCTION

All of us have musical memories. Where we were when a song played. Remembering the words to songs from childhood. Music remains after much else has been forgotten.

As you read this selection, consider the power of music as a conduit for memory. How could that power be put to work in a work search?

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Musical Memories: The Newlyweds’ Ode To Joy

Why sure I remember George and Barbara. Came rolling through here in the summer of ’48, or maybe it was ’49. Long, long, time ago so don’t go quoting me on the year. I can tell you how hot it was that summer though.

Now let me tell you kids something about the heat. Most peoples, they go thinking that this being Sunshine Arizona it is always hot. They believe there is no difference in how hot. But I have lived here in Sunshine Arizona now for 96 years, and I can tell you right now as you are standing there with that old tape recorder out here in the shade of the porch of Johnny Tomorrow’s General Store that there is hot. And there is hot. You believe it sir. Some days, most days, most of us don’t even feel the heat. It’s maybe 90 or 95 degrees. Heat like a second skin. It’s something you carry with you.
And besides then the nights come, it gets right cool and the whole thing don’t matter much anyways.

There might be some other places, somewhere down 66, that get this hot. But I don’t have no idea where they might be.

But you were asking me about George and Barbara. They came though sometime towards the start of the really hot season. And I knew right away they was different.

See first of all, they was about the best looking pair a kids ever seen around these parts ‘cept of course for the ones up on the movie screens. I am telling you, sure as I sit here in this old rocking chair that there was folks who would have taken them to be maybe Betty Grable and Montgomery Clift when they drove up in the middle of that heat in that old blue Chevy coupe.

We get all the movies here. Why, old Henry Fonda himself came through here one day. Sat down on that very bench where you’re sitting now. Took out a red bandana and wiped his brow and said, “Hot here.” And I swear but I wasn’t talking to old Tom Joad hisself!

And that ain’t the end of that story. It was maybe 20, 25 years later and this big tall fella, skinny boy with a real fine white set a teeth who looked just like ole Henry–by that time I was calling him ole Henry like we were pals you know–this tall fella came just smokin into town on one of the loudest damn motorcycles I have ever seen. Wearin’ one of this big shiny helmets with an American flag painted on it! Now he takes it off real slow, and I’ll be damned if he don’t pull a red bandana outta his back pocket just like old Henry did, wipe the dust and the sweat away and say, “Hot here” just like old Henry! Yessir he did. Why except for the fact that this young fella was taller, it coulda been old Henry Fonda all over again!

Sure, I was wonderin that day George and Barbara drove up if they would be all wild like those Fonda boys too.

And I don’t know what ever happened to George and Barbara. All I know is that they stayed a day and a night in that hotel over cross the street. I remember he said that she needed the shower, then he laughed, and she rolled her eyes like she was saying, “What am I gonna do with this big old lug?” but you could tell she was nuts about him anyways.

He had a bit of wildness in him. I could see that in his eyes. Kinda scared, tough and determined no one was gonna get in his way. No sir.

And you could tell he was lookin out for her big time. Wherever they went off to, I can tell you one thing. He never, never, never, let no one mess with her. And if any one had tried I can bet you they was sorry.

Just like now, we had had this little café right inside the door where you see them coolers sittin now. Course the prices were just a bit lower. Johnny Stewart’s Blue Dream Road Eggs and Hash. 25 cents. That comes with all the coffee you can drink.

It was the morning right before they left, Barbara and George they was sitting there having that special for breakfast and they was talking something ’bout her getting a job in some bank somewhere and him doin office work. I guess those would be the jobs they took up.

It was pretty early in the morning, so it was still cool. Course there was no air conditioning back then. The window was open, they was sittin’ there right inside and I was out here, just like I am now, holdin’ down the fort, and I could hear pretty much everything they was saying.

Now ever since he built this place, Johnny has had that old piano right inside there. And when it would get slow, or sometimes just cause he felt like it, he’d just sit down and play that piano. Mostly he played it in the very early morning or in the very late at night.

So he fixes them their special Blue Dream eggs and hash, pours up some coffee, smiles and goes and sits down at the piano. It was right than that Barbara, she starts talking about workin’ at the bank and George says somethin’ ’bout office jobs and bein’ part of an office team. Just him at the boys down at the office.

Johnny, he hears it too. I look in the window, I see Johnny looking at that handsome young and full of promise couple. Johnny winks at me and starts up that piano, he’s a playing that beautiful old song–“These Foolish Things”

Ta da da da,
Da da da da da da da
Ta da da da da da
Da da da da da.. .

You know how pretty that song is. And Johnny, he could play that song just as pretty as that Monk fella or Duke or even as pretty as Sarah Vaughn could sing it.

Barbara, she asks what that song is called and Johnny says, “Why that song is called, “These Foolish Things,”

Nobody says anything for about a minute. Johnny, he just sits there at the piano. Then George, he smiles says, “Know any Beethoven?” You remember I told you that George, somewhere he had a streak, he had a wildness, in him and maybe he thought he could stump old Johnny or something. I don’t know. But Johnny, he looks at George and he say, “Why sure young fella,”

And with just with his right hand, he starts out setting down some single, clear notes, every note like a bell ringing, Johnny picks out the first bars to the chorale piece of the “Ode To Joy.” I believe that’s the ninth symphony? And damned if Johnny, doesn’t keep going!

Starts in to give it a full sound with his left hand when he comes around again, and then–and I nearly came outta my chair at this one, I had no idea Johnny knew how to go singing in German, Johnny starts in singing the words to that little song !

“Freude schone Gotterfunken,
Tochter als Elysium!”

And than I see George, he gets this big old smile on his face. Like nothing I ever seen before. That smile was just like the sun coming up over the desert and he gets up, walks over to the piano and he starts singing along with Johnny! And they go though that whole damn song together and than they are both laughing and than they do it again! You woulda thought there was big mugs a beer and some giant dance hall in Berlin or something from the way those two were singing. But they was singing, then Barbara was singing, she was clapping and it was just the three of them in there but it felt like they had filled the room ’cause of all the spirits was with that young couple.

I knew it then. I knew there’d be tough times ahead for those two, but I knew they’d be fine. No, I knew they would pass fine right on by and go a running off to wonderful!

I heard them sing that morning. Really sing. And if you happened to be passing by, or if you had been sitting here holdin down the fort–which is what I do here, in Sunshine Arizona–you would have heard them too. That fine young couple. Singing in the morning.

Singing away like their life had just begun.

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CONNECTING TO ACTION

•The story was narrated by an older man. Is there an older person in your life who could be useful in your search for work? Does that person know you are searching?
•There was a direct mention of the actor Henry Fonda and an indirect mention of his son Peter. Do the family connections—genetic family as well as the people who populate your life who you might consider family all know of your work search? Might one of them have a connection to work for you?
•Is there a piece of music that you connect with a certain job? Think back. When you recall that music—does it prompt other associations that could be useful in your search?
•The story portrays a couple at the beginning of their life together. By the end of the story, the future happiness of the couple is clear. Think back to the beginning of your work life. What song comes to mind? What associations do you have from that song? Could any of those associations help you today? How?
•Two very different pieces of music are connected and used here. A jazz standard and a Beethoven Chorale. Their connection is a surprise. Have you ever been surprised by the circumstances that lead you to work? What did you do that lead up to those circumstances? Might any of your actions work now?
•Imagine your own very specific musical memory. Just like this one—only yours. What do you now know from that musical memory that you didn’t know before?

Turning thinking into action: Keep track of your musical memories. Write down the connections —however arbitrary they might seem.

What if . . . . .there were something in that musical memory of you at the beginning that could help you find work? What would it be?

What if. . .the impromptu joy of three strangers suddenly singing together in the middle of the desert, could somehow be channeled into a work search for you? What could you do to make that happen?

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